Three cheers for George Carey

For once without any irony. He was one of the people who put their name to the motion that eviscerated the Government’s bill to outlaw religious hatred in the Lords yesterday. The case against it was made wonderfully, but what really struck me, riffling through the Hansard was the fatuity of the Government spokesmen. Here is Lord Foulkes:

Lord Foulkes of Cumnock: I am a little perplexed, because I am used to Committee stages with to-ing and fro-ing, interruptions and questions being asked–so this comes amiss to me. I accept the advice of the noble Lord, Lord Wedderburn, and I shall read the Companion regularly each night from now on; I am sure that my sleep will be better as a result. I should love to have intervened during the speech made by the noble Lord, Lord Hunt, but my colleagues tell me that that is not done in this place. It would be a much better debate if–

The Earl of Onslow: I intervene to tell the noble Lord that it would be perfectly all right.

Lord Foulkes of Cumnock: I thank the noble Lord. What a great fellow he is. I shall see him in the bar afterwards and reward him. … I found it strange when the noble Lord, Lord Lester of Herne Hill, said today that the Government had brought party politics into something like this. The noble Baroness with the lovely Irish name–I was going to say, “the lovely Baroness with the Irish name”–which I promise to learn to pronounce, mentioned party politics. Well, of course party politics comes into all this. We are pulling wool over our eyes if we do not accept that.

The House of Lords really is not like other places.

Posted in British politics | 1 Comment

Aelurillus v-insignitus

Thanks to Mrs Tilton, I have found a new friend: as Rupert said, she has wonderful eyes. What is also delightful is that the site works in English, German, or Slovene. More evidence of the splendour of Slovenia.

Posted in Science without worms | 1 Comment

I wish I spoke Finnish

At least sometimes I do. I found from the referrer logs a page full of people arguing in Finnish about my rant against OOo. I doubt I am missing much. The arguments are almost certainly the same in any language, up to and including Klingon — I bet that “MS:llä on bugeja ja muillakin saa silloin olla? Erikoinen ajattelutapa vai onko Open Source liike niin MS:n perään, että bugitkin pitää kopioida :)” means there are lots of bugs in MS products, and they don’t get fixed either.

But there are in fact damn few bugs in Word, and they do tend to get fixed. The very least you can ask of a software upgrade is that it continues to do the things that the old version could manage. Then you can ask it to do more. Lots more, perhaps: there are about 5,500 requests for enhancement in the OOo bug database, as well as the 5,700 defects reported. But OOo 2.0 has at least three regressions (defects that were not there in 1.1) which make it harder for me to work.

  • outline numbering is completely screwed up — 26 reported defects in the last year.
  • moving through the text, or deleting it, a sentence at a time is broken, especially when you do it backwards. I don’t know how many times a day I get half way through a sentence and then delete back to the beginning, but it is certainly one of the most common editing operations in my life.
  • there is a bad screen flicker when using the outlining and navigation window.

Going by past experience, it will be at least six months before any of these are fixed. That’s not surprising, when there are roughly 1,000 bugs outstanding for every developer. But it’s not much a of a value proposition, even when the software costs nothing to download. Yes, the MS paperclip was irritating. But I can turn it off. There’s no switch to turn on the missing functionality in OOo.

Posted in OOo | 5 Comments

A note on the previous title

“Honest downloading” is exactly the term for alternatives to straight-up file-sharing theft from unwilling artists. It’s not just a matter of legality. I know it’s perfectly legal to offer a DRM-crippled subscription service. But I’m not going to use one until I can DRM the money that I pay for it with. That would be elegant and fair: once the music stops working, the money that I paid for it is returned to my account. Apple can keep the interest, just as I can keep the memories of what I heard.

Posted in Net stories | Comments Off on A note on the previous title

Honest downloading wins one

I don’t know about the States, but the dominant classical CD label in England is Naxos, who more or less invented the paperback CD here — costs £5.00 and made by Lithuanians. I bought quite a lot of them when I was trying to educate myself, but later decided they weren’t often good value for money. None the less, they have been a huge and deserved success, and have probably done a lot to force other labels to bring out their paperback lines (Sony Classics, and so on).

This morning it was announced that the whole Naxos catalogue is available through Emusic. this matters not just because it’s downloadable, but because they are actually selling the music. Though you pay by subscription, which gives a fixed number of downloads a month, the music comes in high-quality MP3, without DRM; once you have it you may store it as you like, legally and technologically.

Mind you, if you’re just looking for a bit of Schumann, stream this.

Posted in Net stories | 2 Comments

Mary Gauthier

A couple of months ago, I think, I found an extraordinary album on emusic, Dixie Kitchen by Mary Gauthier. It was twisted country music, with songs about aids, unhappy love affairs, growing up as a tomboy, unhappy love affairs, Jack Kerouac, an unhappy love affair … you may see a pattern emerging. But they were all good, and some were quite outstanding. So was the delivery: full of emotion but without self-pity or self-dramatisation. She was 35 when she made it, after a life almost too full of incident and excitement.

I thought she was the most interesting singer I had come across since Townes van Zandt, and shelled out for her three next albums from Cdbaby. What a tremendous disappointment. There were still two or three excellent songs on each, but someone had obviously told her she could be the next Springsteen. The production was obtrusively flawless. The words, which once had the kind of directness you need to convince a small live audience, have now inflated to Significance.

She’s still good, and still worth listening to. But the story shows how conventional and corrupt the aesthetic of “alternative” music is. Dixie Kitchen sounded as if she had just had the idea that anyone could make songs like this. The later ones sound as if they’re made for people who have heard lots of music almost like this before.

Posted in Journalism | 4 Comments

Gintis plug

I’ve just been rereading the Gintis essay which is going into Saturday’s Guardian, and it’s not bad at all. Anyone interested in hard sociobiology should definitely be reading him, and I reckon this is a fair introduction to one of hs more important ideas. And I have checked the content with the man himself, who is reasonably happy.

Posted in Journalism | Comments Off on Gintis plug

Tyler watch

An occasional series. One of the many delights of the Saturday FT is the superlative ponciness of Tyler Brûlé. His diary is reminds me of those software advertisements showing young men with chiselled jaws punching the air as they look up from their spreadsheets, which were captioned “The Power to Succeed.” If one of those mannequins had an inner life, it would be Tyler’s.

This week, greatly daring, he has taken a train. That’s not all. He’s travelling with a new suitcase.

“This was my first official business trip incorporating my new, slimmed-down packing regime. Gaby (my trusty assistant) has been following my decade-long quest for the perfect bag and has taken some delight in seeing how I’ll cope with my mini-compact duffel bag from Porter.

When I spotted it in the Aoyama branch back in August, I decided it was going to be my 48-hour bag for jaunts to Zürich, Milan and New York. After a few test trials in September, I set myself the challenge of travelling exclusively with the 50cm long, 20cm wide and 30cm high bag, no matter how long the trip.

This, of course, prompted a total packing rethink, including the downsizing of my toiletry kit. A good edit was long overdue anyway, and I managed to strip the contents down to anti-perspirant, hair wax, face oil, nail clippers, three types of essential drugs (nausea, muscle ache and sleeping pills) and a new addition – shower gel.”

You see, being a full-time consumer is something at which no time can be wasted.

“I’ve always relied on whatever soap was on offer in the hotel and concluded that I was losing valuable minutes picking cling film off bars of Bulgari soap, confusing shower gels with moisturisers and hair conditioners with bubble bath. Transferring Sea Breeze’s “super cool” body soap into a small pump dispenser seemed a bit fiddly at the time, but it shaved a good three minutes off my morning regime”

Posted in Journalism | 3 Comments

Happy dance

Granta is going to take my piece about Sorsele (where the photo above was taken). It wasn’t at all what I set out to write there. But it’s not at all bad. I will make another smug little post when it is due out.

Posted in Literature | 3 Comments

With enough eyeballs, all bugs are invisible

An interesting test case for open source boosterism is provided by the release of OpenOffice.org 2.0 this week. I have been using this product since long before it was usable, out of a mixture of perversity, stinginess, and vague anti-Microsoft sentiment. When I started, MS Word 97, which was what I had, simply could not print out a 60,000 word manuscript without crashing, and I still think OOo may be better for books.

I have written a bunch of macros for it which people find useful, including the word count for version one. I have done bits for QA, not only submitting my own bugs but testing other people’s. So I am in a position to judge at the complete uselessness of the open source “community” that has gathered around it.

I now know of simple, hugely irritating, unfixed bugs that are four years old. I’d give links to the examples, but the site is unusably slow this morning. But notes (or comments, as Word users call them) don’t have word wrap; and for reasons I can’t begin to understand, spaces typed at the end of a line won’t show.

Most depressing of all, I have watched new bugs being introduced, then going either unfixed or unnoticed. Take outline numbering, something which was badly designed in version one , with a hugely confusing interface that took me a couple of years to learn.

In version two, the interface is still the same, slow, clunky, and confusing. But there have been changes under the hood, so that it now doesn’t work. There are 28 bugs outstanding against outline numbering, the oldest first reported in June 2002; and work has started on only one of them, an ugly problem where new toolbars appear and displace the text. 26 of them have appeared since a change was made last autumn. Things actually got worse a couple of months ago, and, though I have made an effort to reproduce the three unconfirmed ones, the behaviour is at present so random that I get quite different failures.

I know why they’ve shipped it. It’s six months late. There are only about 100 people working on it, and they had, at last count, 5,721 bugs outstanding. They have got to ship something. But if any commercial company, let alone one in Redmond, were to ship a steaming pile of crap like this, they would be derided all round the world, and rightly so.

UPDATE: Finnish readers, see here

Posted in OOo | Comments Off on With enough eyeballs, all bugs are invisible